Beck - Live at KAOS Olympia Community Radio LP

DOL (2016)

This is a vinyl bootleg of a Beck radio show bootleg that's been floating around for a really long time.  It documents an on air performance from 1994 at KAOS, a radio station in Olympia, WA.  It focuses on songs from the One Foot In The Grave era, but leans harder into some of the more lighthearted ones of that time.  Mostly ones that ended up on the cutting room floor for that record (but many were eventually released on the 2xLP special edition version of One Foot In The Grave that came out in 2009).

What has always amused me about this particular recording is that it starts right in the middle of the song "Mattress."  It's amazing to me that nearly thirty years later, a complete version of this session hasn't surfaced and we're still listening to one that's missing half a song (at least, who knows what happened before he played "Mattress").  The session is a blast with rough versions of future classics like "Painted Eyelids" and "Totally Confused."  But it's some of the really odd ones like "Johnny Depp," "Beck Will Die" and "Your Love Is Weird" that really make it special for me.

This LP sounds pretty good for the most part.  It's not outrageously high quality, but it gets the job done.  But what's really confusing to me is that it leaves off the last song from the session, "New Age Blowjob" (an early version of "Bogusflow").  I have no idea why it's not on here, there's only three songs on the B side, so there was definitely room.  It's an omission I find annoying, but I am happy to at least have something on vinyl.

I wish there were more of these sort of LPs, bootlegs or not.  In particular the first three Beck sessions at KCRW are so much fun and having nice LPs of those to replace the bootleg tapes and MP3s I've had for a thousand years would be quite excellent.

Beck - Live at KAOS Olympia Community Radio:
https://www.youtube.com/watch?v=08Ks0uU3wyc&ab_

Naughty By Nature - 19 Naughty III LP

Tommy Boy / Big Life (1993)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Naughty By Nature is typically remembered for "O.P.P." and, at times, "Hip Hop Hooray" to most people.There's probably a slight whiff of one hit wonder about them, but that's probably not fair to a group that has three pretty great albums if you look at them objectively.  It's easy to think about the "O.P.P." video being played incessantly everywhere in 1991, but it's also easy to forget what a great song that was.  The beat is top shelf and Trech's lyrics, while a bit goofy, are on point.

Trech probably has one of the more underrated flows in golden era hip hop, and that's likely because of how ubiquitous the Naughty By Nature hits were.  When 19 Naughty II came out, the airwaves were once again saturated with one of the groups songs.  This time it was "Hip Hop Hooray."  Like "O.P.P." this was a song that's not particularly serious or impactful.  Again, it's kind of goofy and this time the beat isn't on the same level as "O.P.P." was.  But the rest of the album is pretty great.

Full of hard hitting beats with complex lyrical stylings, I certainly didn't give this album the credit it deserved when it first came out.  I had it back in 1993, but never ended up listening to it as much as some of the other albums that came out around there.  But going back to it now, it's pretty obvious how talented this crew was.  I'm really surprised this album hasn't ever been reissued on vinyl, but luckily I was able to track down a copy in beautiful condition at a very reasonable price.

Naughty By Nature - 19 Naughty III:
https://www.youtube.com/playlist?list=PLK9R8P1ev0VLmlXVYTSO1EnrziFd8ML2x

Pinhead Gunpowder - Shoot The Moon 12" - Blue & White Split Vinyl

1-2-3-4 Go! (2022, Reissue)

This Pinhead Gunpowder reissue is another that I already had the original pressing of.  There's really no reason as to why I needed to pick up another version, mine's essentially immaculate.  But the lure of a reissued version on colored vinyl that's part of an overarching reissue campaign was something I just couldn't pass up.

This EP originally came out in 1999, when I was the music director of my college radio station.  I was really excited to have a new Pinhead Gunpowder release to put out for everyone to play.  The only complaint I had then is that it was just so damn short.  Seven songs in twelve minutes with only one breaking the two minute mark.  

This reissue helps that out a little bit by including two bonus tracks that were previously on the Recess version of Compulsive Disclosure.  I'm not sure why they were added here instead of kept there, but since the 1-2-3-4 Go! version of Compulsive Disclosure isn't out yet, I guess we'll have to wait and see.

Public Enemy - Fear of a Black Planet 2xLP - Blue Vinyl & Brown Vinyl

Vinyl Me Please (2021, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

As much as I try to avoid it, I do end up getting sucked into buying fancy reissues of records I already have from time to time.  While I bought the Public Enemy vinyl box set many years ago, which has a perfectly serviceable copy of Fear of a Black Planet in it, I could not resist the pull of this version from Vinyl Me Please.

All prior versions of this LP were single disc affairs.  This is the first time this landmark record has been given room to breathe and there really is a difference.  I am not one of those crazy audiophile guys who pretends I can hear whether or not there was ever any digital process on a vinyl record.  But what I can tell you is that this version seems louder, has a fuller sound (particularly when it comes to bass and low end) and really is the best version of this record I've heard.  The packaging is pretty nice too, with a cool booklet along with the gatefold sleeve.

The record itself is just about flawless.  Even though my favorite Public Enemy record has always been It Takes a Nation of Millions to Hold Us Back, I will never downplay how utterly incredible Fear of a Black Planet is as well.  It's really one of those records that just about anyone with even a passing interest in hip hop should own.  And this is probably the best version out there to pick up if you need it.

Public Enemy - Fear of a Black Planet:
https://music.youtube.com/playlist?list=OLAK5uy_nc7t87mKkvlfEswFLut7ePpcD_nJMRwck

Your Pest Band - Reflecting Board 12"

Dead Broke (2022)

I have a lot of records by Your Pest Band.  They've been putting out tunes since 2008 and the vast majority were on my favorite all time record label, Snuffy Smile.  Though these days Snuffy Smile isn't anywhere near as active as they used to be, and I've not been as enamored with their more recent offerings.  This Your Pest Band 12" was released on Dead Broke without any seeming involvement from Snuffy Smile, which seems a little odd.  It's not the first time a label has put out one of their records without it being a co-release, but it's certainly not a regular occurrence.

As the years have gone by, I've enjoyed Your Pest Band's evolution.  From more traditional Snuffy Smile punk rock, to garage leaning speed to the current iteration which has something of a psych/classic rock vibe.  Do I like this sort of thing as much as I like their earliest releases?  No, I don't.  I'm always going to be somewhat trapped in wanting to here some good old fashioned pop punk.  But that's not to say that Your Pest Band isn't still cranking out some great tunes, because they are.

This 12" has seven new songs.  There's a few mid tempo numbers like "Blind Lane" and "Strange Rings," the latter of which has some downright Petty-esque guitar riffs going on.  But I tend to gravitate towards the faster songs.  In particular, "Every Arithmetic" strikes a real chord with me as it has loud, crunchy guitars and a driving drum beat.  It also has less guitar and vocal reverb than anything else on here.  It's a fantastic song that's worth the price of admission on its own.  But the other songs are fun as well, they're just pretty different to what the band started out doing fourteen years ago.  Which makes sense, when you think about just how long ago that really was.

Your Pest Band - Reflecting Board:
https://deadbrokerekerds.bandcamp.com/album/reflecting-board

Rocket From The Crypt - Gold 7" - Gold Vinyl (/100)

Drunken Fish (2022, Reissue)

This is sort of a reissue.  But sort of not.  The way it's been described is 100 more of these are being released as a 30th anniversary release, using some leftover sleeves and stickers.  Maybe vinyl too? Or maybe the pressed a few more records for this?  I'm not really sure to be honest.   

This was never my favorite Rocket From The Crypt release, at least from the music side of things.  It's a cover of an MC5 song that certainly isn't the first song I'd think of if covering them was on the day's agenda.  Rocket's version turns it into an even more ramshackle scene, Saxophone aping the bass line of the original.  A supremely chaotic noise jam that devolves into Speedo screaming "power" for a minute into that vocal apparatus that they used to great effect distorting vocals in the early 90s.

Pressing wise, there are two major differences between this release and the original.  First is that the back cover, which says "EDITION OF 500" has had the "500" crossed out and "100" was written next to it in ink.  Next, the inner sleeve isn't white, it's that sort of brown/yellow color of a mailing envelope.  No beads like some of the first pressing of this record had.  I'm not opening mine, there's really no reason as I have other, open copies.  So the record that you see is in the first picture is actually one of my first pressings.  The second picture is the back of this new pressing.

Rocket From The Crypt - "Gold":
https://www.youtube.com/watch?v=lRmJyKN23mo&ab_

Guru - Jazzmatazz Volume 1 LP

Music On Vinyl (2022, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

When this album originally came out in 1993, I was a huge Gang Starr fan.  I was quite obsessed with Gang Starr's third album that had come out the prior year, Daily Operation.  When I saw the video for the the song "Loungin," I immediately tracked down a copy of the album.

At the time I remember liking it, but being a little disappointed when comparing it to Daily Operation.  From a production standpoint, this album has more in common with something like Tribe Called Quest than it does Gang Starr, but that's fine, I love Tribe.  Where the record lost me back then (and now a bit to, if I'm being honest), where the really long stretches in a lot of songs where Guru isn't rapping and the preponderance of R&B style singing in the choruses of more than a few songs.

I have been hunting for a copy of this for a while.  Music On Vinyl reissued it in 2018, but I must have just missed the boat as I could only find it for really high collector's prices for the past few years.  But luck finally changed and MOV reissued it again this year, allowing me to pick up a copy at a more reasonable price.

Listening to it now, I have an even greater appreciation for what Guru was trying to do.  He's definitely pushing the jazz envelop further than most groups of that era.  That said, the complaints I have from when I was sixteen are mostly the same ones I have now.  Too much singing and too many horn solos.  When it's Guru rhyming over jazzy beats, I love it.  When it meanders, I tend to be less interested.  He did three volumes of these Jazzmatazz records.  I've never heard the other two and I think it's time to correct that.

Guru - Jazzmatazz Volume 1:
https://music.youtube.com/playlist?list=OLAK5uy_mUxGEWlIkGtxdtloxTCwNkFP2-OX_HKhc

State Drugs / Zephr - Split 7" - Muddy Green Vinyl

Snappy Little Numbers (2022)

This is a split 7" containing one song each by State Drugs and Zephr, two bands that have also released full length albums on Snappy Little Numbers.  I was pretty excited when this showed up in the mail as I was a fan of each band's prior albums and I've long said how the split 7" has historically been one of my favorite formats.  Though it's certainly not as common an occurrence as it was back in the 90s.

State Drugs has a rootsy, Tom Petty, Nude Beach sort of vibe, but with vocals that really cling more to a melancholy feeling than the more upbeat nature of a Petty.  "Mr. Untitled" is built on a dark guitar and bass sound that is very heavy on low end.  That's then peppered with bright lead guitar riffs.  Once the vocals come in, things can feel a little dour to be honest, but the backing vocals help make the song veer into more uplifting territory.

Zephr feels like they have really slowed things down since the last time I heard them.  Whereas on their last album I thought they would fit in good with the early 2000s No Idea crowd, this time they've dialed things back considerably.  "Landline" doesn't strike me as the quintessential contribution to a split 7".  To me, it feels more like a deep album cut that you write to give an album a more dynamic feeling and to let the listener catch their breath in between a couple of rockers.  It's a good song, but hearing it by itself with no other songs for context makes me wonder if the band is in the midst of a major sound chance from their last album.  Time will tell I guess.

State Drugs / Zephr - Split 7":
https://snappylittlenumbers.bandcamp.com/album/split-single-sln-222

Da King & I - Contemporary Jeep Music LP

Rowdy (1993)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Da King & I is another one of those long forgotten hip hop acts of the early 90s that I discovered digging through internet lists of forgotten hip hop acts of the 90s.  The descriptions I read had sounded right up my alley, so I hunted down a copy of their only album, Contemporary Jeep Music.  I've discovered a lot of great albums this way and while I won't say this is the one I like best, I do think that this is an album that would have probably been one of my favorites if I had actually gotten to hear it in 1993.

I never remember seeing Da King & I on Yo! MTV Raps and I also don't recall seeing them in The Source, but I imagine they probably got written about at some point and I just don't remember a random article from a magazine that I last saw thirty years ago.  (as an aside, if you want to have your mind blown, go look and see how much 1992 and 1993 issues of The Source sell for on eBay.  I had wanted to track down some of those old ones I had, but the cost of entry is quite prohibitive)  I can only assume this album didn't sell all that well at the time and they were relegated to the dustbin of hip hop history.  But I am really glad I dug around and discovered them.

The beats are pure, uncut 1993 goodness.  Jazzy loops, keyboards in the breaks, cracking snare drum punctuating hard bass drum beats. Production-wise, it's about as good as you're going to find and it holds up with most albums of the era.  Izzy Ice handles the vocals and does a pretty admirable job living up to the high bar the beats set for him.  His lyrics may not dazzle you the way some of the MCs that dabble in more complicated rhyme structures, but all of his rhymes are serviceable and his cadence meshes pretty perfectly with the music.

To me, this is really one of the great forgotten gems of 1993 hip hop.  It's an incredible record that's just begging for a fancy reissue on 90s Tapes or something like that.  Really happy I stumbled across this one.

Da King & I - Contemporary Jeep Music:
https://www.youtube.com/watch?v=0iwHfd2miDE&ab_

Drive Like Jehu - Bullet Train to Vegas 7" - White & Black Swirl Vinyl (/300)

Merge (2022, Reissue)

This is a colored vinyl reissue of a 1992 Drive Like Jehu 7" that came out on Merge records.  The bands only 7" and one of far too few overall releases by such an important band.  I got into Drive Like Jehu because of how much I loved Rocket From The Crypt.  I started out by picking up the band's first CD at Let It Rock records in Montclair, NJ.  One of only a few times I went to that store as I just always felt that Flipside in Pompton Lakes was the better shop in the area.

While I really did like the first Jehu album, it's when I picked up Yank Crime that my mind was completely blown out of the back of my skull.  What a record.  I am pretty sure that I found the original copy of this 7" at a defunct record store that was called Adult Crash.  It wasn't around for a super long time, but it was a good store that had a real indie rock lean to it.  Great 7" section.

The songs on this record are excellent.  Not quite as long as most of the ones on Yank Crime, but also a little more forward thinking than the ones on the debut.  In some ways it's kind of the sweet spot in the middle, but in other ways I'll always like the insane ambition of Yank Crime the best.  The colored vinyl looks nice and I'm just always going to pick up new variants of Rocket and Rocket adjacent bands when I see them.