Bum - Kidd Bitz (& Glazed Rookies) LP - White Vinyl (/500)

Hey Suburbia / Radiation (2025)

If you know me, you know that I think Bum is one of the greatest bands of all time.  Their album, Wanna Smash Sensation ranks among my very favorites ever and I spent years and years hunting down their various singles, EPs and other releases.  I was very pleasantly surprised to see that the same labels that reissued Wanna Smash Sensation in 2022 have come back with Kidd Bitz (& Glazed Rookies), a Bum singles and rarities compilation.

I'll start off with a minor quibble and that's the fact that this isn't an exhaustively complete compilation of Bum material.  Admittedly, I'm one of those guys that wants every song, note and fart that a band cranks out to be part of these type of things and while this one has a lot of great on it, it's not everything.  Some of it, I understand.  A lot of the 7" A sides in Bum's catalog are tracks that were on Wanna Smash Sensation, so we probably don't need those.  But there are others that aren't here and ones that are here that confuse me a bit, such as three of the eight songs from the Make It Or Break It 12".  Regardless, it's not as complete as I'd maybe want it to be (likely spanning a double LP), but there's a metric ton of great songs on here.

A word of warning, when you first put this LP on, the fidelity of the original 7" versions of "A Promise is a Promise" and "Wedding Day" is not the greatest.  It's also not the greatest on the actual original 7", so it's a source limitation, not a problem with the LP.  Once you hit the third song, everything sounds bright, full and delightful.  This compilation collects outstanding Bum songs from the At The Well 7", the Mrs. Rock and Roll 7", split 7"s with Innerface and Pingu, the aforementioned 12" and several compilation tracks.  Spanning their entire existence you get Bum originals and five covers (They did a good amount of covers in their time).

As a maniac record collector, I did have all of these songs on singles and compilations before, but what no one had heard before this LP came out were the three previously unreleased songs.  "1983" is a home recording by Rob Nesbitt from 1993 that is a good song and a nice way to close out side one of the record.  The other two "Everything I Say Is Wrong" and "You, Down Again" are full band, killer Bum tunes that would have been a crime to leave shelved for all of eternity.  It's really nice to be able to hear these two gems and for me, that's reason enough to pick this up.  

Let's be honest though, even if I had every single song on here, I'd buy this.  Of course there's the insane record collector thing creeping in again, but there's also the fact that it is really nice to be able to listen to all of these songs without having to go pull out nine different records or the old mix tapes I use to make to get at them.  It's an essential addition to my record shelf and it just makes me greedy for more Bum songs.  They should make some more of those...

Superchunk / Not Wonk - Split 7" (/300)

Merge / Bigfish Sounds (2024)

This 7" was one that I wasn't aware of until I just saw it on Superchunk's Disccogs page when I was looking up something else.  It's a split 7" with Not Wonk that was made for a Japanese Superchunk tour.   There were 300 pressed in total and 100 of them were sold at the Merge 35 merch table, according to an Instagram post that Mac made that I found this morning.  I wasn't at that show or at any of the Japanese tour dates and it's only through the kindness of my great friend Kazu that I have this in my collection. 

Both songs on this 7" are acoustic, with the Superchunk side being a version of "Hyper Enough."  "Hyper Enough" is probably my favorite Superchunk song, if I was forced to pick one, but at worst it's in my top three.  I'm not positive that it's the Superchunk song that translates best acoustically though.  It's significantly slower and delivered with Mac's vocals being a whole lot more gravelly than they were 30 years ago (it happens).   It's certainly not bad and it's an interesting take on a song that I have loved for 30 years, but I can't really see myself listening to it very often.

Not Wonk is a band from Japan and I have their first two albums, which I like quite a bit.  They've put out two more since then, but I don't have either of those.  Their contribution is an acoustic take on a song called "Asshole."  I'm not sure that there is a non-acoustic version of this one as it's not on either of the Not Wonk records I have and according to Discogs it's not on either of the ones I don't.  It's also not a Beck cover.  Like the Superchunk side, this is a slow song that while nice, isn't particularly exciting.

It probably sounds like I'm being negative about this record, but for what it is - a limited tour only 7" - it does everything it needs to.  Only crazy, completist record collector people like me are going to miss it if it's not in their collection.  But as a crazy, completist record collector, I am deeply and eternally grateful to Kazu for helping me keep my Superchunk 7" collection complete. 

The A.T.E.E.M. - A Hero Ain't Nuthin' But a Sandwich LP

Select (1992)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

The A.T.E.E.M. is another one of those 90s groups that I discovered from digging around on one of those ‘forgotten hip hop records’ type lists.  A Hero Ain’t Nuthin’ But A Sandwich came out in 1992, which I can make an argument for being the best overall year of the golden era.  While I wasn't familiar with The A.T.E.E.M. themselves, these guys were connected with Chubb Rock.  He makes a few guest appearances over the course of the album, including the title track, which is probably the strongest on here.

Production on this record was handled by The Trackmasters, who had done work for others during this era like the aforementioned Chubb Rock, Leaders of the New School, Big Daddy Kane and Kool G Rap (Ill Street Blues!).  The production is also the strongest part of A Hero Ain’t Nuthin’ But A Sandwich.  Lyrically, the 3 members of the group (Rob Swinga, F.M. and HOT DOG) are respectable MCs, but they never really take command of any of the tracks in a way that makes them feel like anything other than journeymen rappers.  Nothing on here is bad and I would contend that most of it is good, but it kind of plateaus at good and never hits great.

But the production is a treat, the Chubb Rock appearances are a lot of fun and the rest of the album is totally serviceable.  I do like this as it’s from a period of time where most hip hop sounded like I want it to sound like.  It’s completely of its era and while it might not be in the upper echelon of records from 1992, it still has that sound that makes me keep going back to it. 

The A.T.E.E.M. - A Hero Ain't Nuthin' But a Sandwich:
https://music.youtube.com/playlist?list=OLAK5uy_kC8Nz0GCqa-kc8LHB81UZCC-irlaaxbjY

Ween - The Pod 2xLP - Brown & Cream Vinyl

Chocodog (2023)

Back in 1994, a friend recommended Ween to me because he knew I was really getting into Beck and some of the other weirder strains of indie and punk rock.  I ended up picking up Pure Guava and Chocolate & Cheese first.  In particular, I became obsessed with Pure Guava.  At a subsequent trip into NYC to go record shopping, I picked up the CD of The Pod from Generation Records (amazingly, still open as of now).  The Pod never really connected with me the same way as the others and while I still have that CD, it wasn't one of the Ween records I gravitated towards when I was in the mood to listen to Ween.

As the years have gone by, that initial opinion I had is somewhat still accurate.  It's still not one of my favorite Ween records and really cannot hold a candle to Pure Guava, Chocolate & Cheese, The Mollusk or 12 Golden Country Greats, I do find that it's a pretty fun album when I want to be reminded of why I started listening to Ween in the first place.

Since I'm not as familiar intimately with The Pod as I am those others, it's still something of a surprise when I put it on and start listening.  I can still be taken back by the goofiness of a song about pork roll (I assume they mean Taylor Ham), egg and cheese or the oddness of an entire song being someone ordering Mexican food.  It's still a tough listen at times as many of the songs are noisy and weird, but when those gems pop up, it's still rewarding.

I've never had this on vinyl, so it's a nice addition to the Ween collection.  This pressing is on wacky colored and what sure feels like 180g vinyl.  It's not advertised as 180g, but these are some think, heavy slabs of wax.  I'm kind of glad I waited so long to get it as this is definitely the version I'd want to own.

Ween - The Pod:
https://music.youtube.com/playlist?list=OLAK5uy_m29LtZ9U0OkNhLDwXIzlFtgI8OmcSBnbU

3rd Bass - The Cactus Al/Bum 2xLP

Def Jam (2024, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

For its 35th anniversary, Def Jam finally reissued The Cactus Al/Bum as a double LP on vinyl.  3rd Bass' debut album was in dire need of this treatment as the original version, and all reissues, of the record tried to cram 20 songs clocking in at just under an hour onto a single LP.  As you can imagine, it certainly didn't sound its best.  The hype sticker on this new reissue says it was remastered from the original analog tapes and whether it's that or just having less music per side and stretching this out onto two LPs, the record sound better than it ever has.

I'm really happy that this record is getting this sort of treatment.  I've always felt that 3rd Bass never really got sustained credit for how good they were.  They hardly ever come up when other golden era greats are discussed, but both of their records are great and hold up to most others released around the same time.  I mean, no, they're not Public Enemy, but both records are much better than I think most people remember.

In particular, the production on The Cactus Al/Bum is top notch for 1989.  I would put it up against just about anything that came out that year.  And as far as lyrics go, Serch has always been kind of a goofball, but an entertaining one and Pete Nice absolutely is among the most under appreciated of the early golden era to me.  Hopefully this reissue shines some much needed attention on what is in my opinion, a classic album.  I have it playing again while I'm writing this and I really does sound great.  Absolutely worth double dipping if you have any of the earlier single disc pressings.

3rd Bass - The Cactus Al/Bum:
https://music.youtube.com/playlist?list=OLAK5uy_nHAZh4VPksh1NjCgvM7FeaDVgf4jJc0T0

Surrender - Summer Never Comes CD

Waterslide (2024)

I am still trying to catch up on writing about 2024 albums and I'm trying to focus on the ones that ended up on my year end best of list.  It's not super common for me to put an EP on my year end album list, but the six songs that Surrender have served up on this EP are so great that it's impossible to listen to it and not proclaim it as one of the very best releases of last year.

Surrender comes to us with a pedigree that immediately catches my attention.  When you've got members of bands like the Hum Hums and CSS coming together to make a new band of punchy, punked-up power pop, it's probably unlikely that I'm not going to love it.  And boy oh boy, do I love this EP.

It's fast enough that you can hear the pop punk influences shining through, but they wrangle harmonies in a way that stands so much higher than most bands, giving it a timeless sound that you can just as easily trace to the Beach Boys as you can some of the more notable power pop bands of the 70s.  

I just love everything about this and the only way that I think it could be better is if it was a full length album.  Hopefully we'll get one of those sooner than later and in the mean time I have to try to get myself a copy of their first EP from 2015.  2015?  I sure hope we don't have to wait another nine years for more Surrender music.

Surrender - Summer Never Comes:
https://watersliderecords.bandcamp.com/album/summer-never-comes

The Ape-Ettes - No Matter What 7" - Red Vinyl (/400)

Snappy Little Numbers (2024) 

As a casual fan of Curling (let's face it, it's challenging to be more than that in America with the lack of televised coverage of this great sport), I was immediately taken in by the cover of this Ape-Ettes 7" and was determined to try to like it no matter what the music sounded like.  I was pre-judging the book by its cover, but luckily this 7" is great and I definitely don't need to force myself to enjoy it.

To me, The Ape-Ettes sound like another in the longstanding line of great bands that are sometimes classified under the 'cuddlecore' banner.  I'm not sure you could listen to this 7" in a vacuum and make that statement as the guitars are a little warmer and crunchier than the traditional cuddlecore band and there's a garage pop edge to these songs that make them all the more enjoyable to me.  

At the same time, it's hard for me to not be reminded of bands like Cub, Dressy Bessy and Go Sailor.  Are they one to one comparisons?  Not at all, but I think you'd be hard pressed to not like The Ape-Ettes if you're a fan of any of those bands.  We've got three songs on this record and all of them are great, making this a no brainer recommendation.  And I vote for more curling in the artwork for any future releases.

The Ape-Ettes - No Matter What 7":
https://snappylittlenumbers.bandcamp.com/album/no-matter-what

Yaggfu Front – Action Packed Adventure! 2xLP + 7"

90s Tapes (2024)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I have written about this record before when I picked up a copy of the original pressing, but I felt it was important to say a little bit about this reissue from 90s Tapes that came out a few months ago.  90s Tapes is the absolute gold standard for hip hop reissues and the care that they've put into Action packed Adventure is right up there with the best releases in their catalog.  The original UK version was a single disc, so it was nice to have it expanded to a double LP so that the songs have a little more room to breathe.  Plus the extra LP and bonus 7" allows for six extra tracks that weren't on the original including remixes and an instrumental.

I said most of what I needed to say about the music itself the last time I wrote about this album.  I'll just mention again that this is classic Golden Era greatness from 1994.  The production is everything I want out of an album that came out in '94.  And while I wouldn't describe the MCing as elite for the time period, it gets the job done and makes for a super enjoyable album.

This is the version to hunt down if you need a copy.  No one does reissues like 90s Tapes and with Yaggfu Front, they pay the appropriate respect to a lost classic of the Golden Era.

Yaggfu Front – Action Packed Adventure!:

https://90stapes.bandcamp.com/album/action-packed-adventure